Diary

  • Harp Recital, Coswig

    On 2018-09-30 at 16:00

    • Coswig – Villa Teresa (Germany)
    Le Rossignol en Amour

    Elias PARISH-ALVARS (1808-1849)
    Introduction et Variations sur la „Norma“ de Vincenco Bellini

    Fran& ...
  • CD recording, solo harp

    From 2018-10-10 to 2018-10-13

    • SWR, Genuin Classics
  • Maison des Morts

    On 2018-11-06 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-07 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-10 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-11 at 15:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-13 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-14 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-16 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Maison des Morts

    On 2018-11-17 at 20:00

    • La Monnaie Opera (Brussels)
    IN EVERY BEING, A DIVINE SPARK!— LEOŠ JANÁČEK

    The last opera by Czech composer Leoš Janáček is based on the semi- ...
  • Harp recital, Chapelle de Monty

    On 2018-12-02

    • Chapelle de Monty (Belgium)
  • Harp Recital, Paris

    On 2018-12-10

    • Privé
  • Festspiele Mecklenburg-Vorpommern, Amarcord

    From 2018-12-14 to 2018-12-15

    Muzik aus Leipzig

    Amarcord, choir
    Olena Tokar, soprano
    Agnès Clément, harp
  • English Horn, violin and harp

    On 2019-01-18 at 12:30

    • Grand Foyer, La Monnaie (Brussels)
    Franz LISZT (1811-1886) tr. Clément/Schouten
    Deuxième Elegie, cor anglais et harpe  

    Franz LISZT (1811-1886) tr. Cl&e ...
  • La Gioconda

    On 2019-01-29 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-01-30 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-01 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-03 at 15:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-05 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-06 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-08 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-10 at 15:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • La Gioconda

    On 2019-02-12 at 19:00

    • La Monnaie Opera (Brussels)
    THE TRAGEDY NEEDS TO BE GREAT; THE TRAGEDY NEEDS TO BE TRUE.— VICTOR HUGO

    In his day, Amilcare Ponchielli was considered the most important Italian ...
  • World Première, Harp Concerto by Wim Henderickx

    On 2019-02-17 at 20:00

    • Palais Bozar (Brussels)
    ‘It’s huge, it’s absolutely mad! You’d be scared the house might fall down!’ exclaimed Goethe in 1830, when Mendelssohn played ...
  • Frankenstein

    On 2019-03-08 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-10 at 15:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-12 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-14 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-15 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-17 at 15:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-19 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Frankenstein

    On 2019-03-20 at 20:00

    • La Monnaie Opera (Brussels)
    ONE MAN'S LIFE OR DEATH WERE BUT A SMALL PRICE TO PAY FOR THE ACQUIREMENT OF THE KNOWLEDGE WHICH I SOUGHT.— MARY SHELLEY

    In ...
  • Harp Recital, Mönchengladbach

    On 2019-03-21

    Elias PARISH-ALVARS (1808-1849)
    Introduktion und Variationen über Themen aus „Norma“ von Vincenco Bellini

    Domenico SCARLATTI (168 ...
  • Bassoon and harp with Sophie Dartigalongue

    On 2019-03-23

    • Kaufbeuren (Germany)
    Les Folies Françaises (bassoon and harp)

    Camille Saint-Saëns (1835-1921)
    Sonate für Fagott op 168

    Antonio Vivaldi (1678-1741)& ...
  • Harp Recital, Wangen

    On 2019-03-24

    • Wangen (Germany)
    Elias PARISH-ALVARS (1808-1849)
    Introduktion und Variationen über Themen aus „Norma“ von Vincenco Bellini

    Domenico SCARLATTI (168 ...
  • Wigmore Hall, Tabea Zimmerman, Adam Walker

    On 2019-04-15

    • Wigmore Hall (London)
    Viola : Tabea Zimmermann
    Flute : Adam Walker
    Harp : Agnes Clement

    Arnold Bax „Elegiac Trio“ für Flöte, Bratsche und Harfe
    ...
  • Tristan und Isolde

    On 2019-05-02 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-04 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-07 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-08 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-10 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-12 at 15:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-12 at 19:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-14 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-16 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...
  • Tristan und Isolde

    On 2019-05-17 at 18:00

    • La Monnaie Opera (Brussels)
    ‘As I have never truly experienced the happiness of love in my life,’ Richard Wagner wrote to Franz Liszt in December 1854, ‘I would ...

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